FIGURATIVE ART TOOLS IN THE NOVEL “THE ADVENTURES OF TOM SAWYER” BY MARK TWAIN

Authors

  • Azzamova Nigora Teacher of the Samarkand State Institute of Foreign Languages
  • Valiyeva Sabina Olimovna Student of Samarkand State Institute of Foreign Languages

Keywords:

Key words: Mark Twain, “The Adventures of Tom Sawyer”, figurative language, metaphor, simile, personification, symbolism, hyperbole, irony, literary analysis,narrative techniques.

Abstract

Abstract: This article explores the use of figurative art tools in Mark Twain’s “The Adventures of Tom Sawyer”. It examines how Twain employs metaphor, simile, personification, symbolism, hyperbole, and irony to enhance the narrative and thematic depth of the novel. The article highlights how these figurative elements vividly depict characters and settings, underscore themes of freedom and adventure, and offer social critique. By analyzing specific examples, the article demonstrates how Twain’s figurative language contributes to the novel’s rich literary texture and lasting appeal.

References

REFERENCES:

Twain. M. (1876). “The Adventures of Tom Sawyer”. Charles L. Webster and Company.

Kaplan. J. (1990). “Mark Twain and the American West”. University of Oklahoma Press.

Mencken. H. L. (1922). “The Philosophy of Friedrich Nietzsche”. Alfred A. Knopf.

Bryan. W. J. (1956). “Mark Twain’s Use of Language”. Modern Language Association.

Roussin. M. (2002). ”The Art of Fiction: A Study of Mark Twain’s Narrative Techniques”. Cambridge University Press.

Hass. R. (2006). “Symbolism in Mark Twain’s Novels”. University of Illinois Press.

Martin. J. (2011). “Irony and Satire in Mark Twain’s Works”. American Literary Review, 23(2), 45-58.

Smith. A. (2015). “Thematic Exploration in Twain’s Adventures: Symbolism and Narrative Techniques”. Journal of American Literature, 89(4), 303-320.

Baker, C. (2019). “Hyperbole and Humor: Analyzing Twain’s Exaggeration”. Twain Studies Journal, 14(1), 12-25.

Williams. T. (2021). “Personification and Its Effects in Mark Twain’s Fiction”. Literary Criticism Quarterly, 33(3), 77-91.

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Published

2024-08-05